Olympia Little Theatre's 'Educating Rita' a two-person tour de force

Actors deftly handle dialect, character evolution in Olympia Little Theatre’s comedy about social classes, education system

Contributing writerFebruary 14, 2014 

Kaaren Spanski-Driffin as Rita and John Pratt as Frank in “Educating Rita” at Olympia Little Theatre.

COURTESY OF OLYMPIA LITTLE THEATRE

“Educating Rita” at Olympia Little Theatre is a witty look at a clash of culture full of smart dialogue, with a smattering of literary criticism thrown in to sweeten the pot.

It’s also a tour de force for the two-person cast. The memorization of their lines is, by itself, a Herculean feat, plus they have to do it in dialect. And both characters undergo an evolution of personality involving both nuanced and overblown acting – particularly on the part of Rita, played by Kaaren Spanski-Driffin.

The cast is comprised solely of Spanski-Driffin and John Pratt as Frank. Pratt is a seasoned veteran who has been acting on stages throughout Southwest Washington since 1993. His stage presence is confident and convincing. Audiences should have no trouble seeing him as a washed-up, bitter professor of English literature whose only friends are the bottles of booze he hides behind books in his study.

Spanski-Driffin is a newcomer to Olympia Little Theatre who is surely destined to join the ranks of the best actors in the South Sound region. She is a comic delight as the outspoken and trashy Rita.

Rita is a hairdresser who wants to go back to college to better herself. She goes to Frank for once-a-week tutoring in English literature. Frank, a poet with low self-esteem and an even lower opinion of his students, is particularly put off by Rita for her ignorance and lack of social graces. Over the course of the tutoring, Rita becomes a more self-confident and graceful woman, but more importantly, she changes and humanizes Frank. It becomes a question of who is educating whom.

The same team of actors and director Norma Rogers produced this play at the Evergreen Playhouse in Centralia in 2012, which surely helped them fine tune their performance, and it shows.

Outstanding work was also done by set designer Matthew Moeller, costumers Allison Gerst and Barbara Matthews, and Rick Pearlstein, who did everything from stage managing and lighting to sound design and editing.

I like Moeller’s set for his color choices and attention to detail – the professorial clutter, the crooked painting on the wall, the mismatched bookshelves, and the ivy growing outside Frank’s window are all great touches.

The costumes enhance the character of Frank and Rita, who change costumes for each scene. I didn’t count, but there must be more than 20 costume changes, and the look of Rita’s clothing evolves as her personality changes.

This play is 2 1/2 hours long, including a 15-minute intermission. Act I did drag a little toward the end, but very little.

For an enchanting evening’s entertainment, I highly recommend “Educating Rita.”

Educating Rita

When: 7:55 p.m. Thursdays-Saturdays and 1:55 p.m. Sundays through Feb. 23

Where: Olympia Little Theatre, 1925 Miller Ave. NE, Olympia

Tickets: $10-$14, available at Yenney Music Co. on Harrison Avenue (360-943-7500) or brownpapertickets.com/profile/23136

Information: 360-786-9484, olympialittletheater.org

alec@alecclayton.com Check Alec’s blog at alecclayton.blogspot.com for reviews of other South Sound theatrical productions.

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