Jovan Adepo, left, and Dominic Applewhite in “Overlord,” whose weak tether to anything approaching recognizable reality is the least of its problems.
Jovan Adepo, left, and Dominic Applewhite in “Overlord,” whose weak tether to anything approaching recognizable reality is the least of its problems. Paramount Pictures TNS
Jovan Adepo, left, and Dominic Applewhite in “Overlord,” whose weak tether to anything approaching recognizable reality is the least of its problems. Paramount Pictures TNS

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