Marvel Studios took a year off from Comic-Con, but it came back with a pow on Saturday with a spectacle and star-filled presentation offering exclusive looks at "Spider-Man: Homecoming," "Doctor Strange" and "Guardians of the Galaxy Vol. 2."
U.S. Army Capt. Dan Culbreth, a 2001 Hot Springs High School graduate, has flown his Apache helicopter through two tours of duty in Afghanistan, and will soon be flying into many living rooms as one of the soldiers featured in an upcoming episode of "My Fighting Season," a war documentary series on AT&T's Audience Network.
When David Williams was a kid sneaking into movie theaters for lack of money, he vowed to his buddies that one day he’d have his own theater. Now a successful businessman, he does — a period Art Deco cinema in his 3,000 square foot Olympia basement, complete with 187-inch screen, electric recliner seats and a 16-foot neon marquee.Oh, and a replica 1930s London street to go with it.
After "Batman v Superman: Dawn of Justice" put the launch of the DC/Warner Bros. universe on shaky ground, the studio came back swinging at Comic-Con Saturday armed with movie stars, brand new footage and a sense of humor.
David F. Sandberg’s excellent horror flick “Lights Out” is a film about common fears and universal phobias; about things that go bump in the night, and exist only in the dark. Built on a clever premise, the film is executed seamlessly. It’s the best expression of a low-budget horror flick: resourceful and smart, where the most charismatic character is the ghoul itself. At a lightning quick 81 minutes, Sandberg creates a thoughtful and very scary world in “Lights Out,” a spooky tale about what happens when the demons in your head come out to play.
Stephane Brize's "The Measure of a Man" feels so real, you're almost startled when it's over - it seems as if this French drama about a middle-aged husband and father facing unemployment should just go on, as life tends to do. Thierry (Vincent Lindon), we learn, was laid off from his steady factory job as a machine operator. Now he's seeking work, being lectured by bank managers and employment counselors, and enduring perfunctory job interviews on Skype, at the end of which he's told that he probably doesn't have a chance of being hired. (You see the air coming out of Thierry on those words, ever so faintly.)
Artfully calculated and authentically felt, the unexpectedly effective "Summertime" combines the conventional structure of classic movie romance with a sensual same-sex frankness that couldn't be more up to date.
Chris Colfer did something when he was younger that, while it worked out for the best in the end, he would not have the courage to do again. He sent tickets to a "Glee" concert to comedian Jennifer Saunders.
It's an idea both perfectly simple and simply perfect: Irish documentarian Alex Fagan rounded up 29 centenarians, pointed a camera at each, and asked them about their lives. The result is "Older Than Ireland": a charming, moving and over-too-soon portrait of a country, and of what it means to have a longer than expected life.
Olympia homeowner David Williams along with former MGM and Paramount studios' set designer Thomas Polidori offer their thoughts during a July 10th tour of the basement area which was turn it into a replica London street from the 1930s, including an Art Deco theater, faux storefronts, cobblestones, manholes, neon signs etc. Scaled down from an actual period commercial movie house a state-of-the-art theater featuring digital access to most any film caps-off the experience.
WATCH: Basement transformed into amazing vintage movie theater
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